Rachel Haggerty discusses the techniques used to work with metallic fabrics like taffeta and lamé to create a bodice worthy of Wonder Woman herself!
This month, Anna works with us on refining the fit and starts to think about the final design of this Edwardian transitional corset for our 2013-14 competition.
Rachel talks us through her journey to re-create this late-Victorian corset, which is ideal for 'well endowed' ladies with a curvy, hourglass figure.
Rachel talks us through the completion of this beautiful C19th corset in the final fabrics, creating an elegant yet supportive base for ladies of a curvaceous nature.
Izabela takes the late Victorian Higby corset pattern from her last article and creates a striking, modern Steampunk version using buckskin leather.
May continues her discussion by showing us how to apply the invisible method of boning construction to this beautiful plunge-neck corset dress.
Barbara Pesendorfer, of Royal Black, shares her secret techniques to getting a super smooth outer finish on fabric or PVC using roll pinning.
Our retro lingerie guru Mark shows you how to pattern and make your own custom fully-fashioned vintage-style stockings with French or Cuban heels.
Elastic ribbon corsets give you the look of a corset, but with the comfort of modern garments. Izabela explains what it takes to create one.
Marianne discusses different body types and how to go about creating custom corsets to fit these various forms, from a business perspective.
Luthien sets herself an Edwardian challenge by recreating the 1901 corset from Norah Waugh’s book 'Corsets and Crinolines'.
Mark takes us through the process of how to pattern draft and make a pair of tights or panty hose, and some custom control shorts.
Luthien continues her journey with this corset from Norah Waugh's famous book through construction, embellishment and her final thoughts.
Jennifer brings her late Victorian corsetry project to completion, creating a corset she is very happy with and in the color of the year, to boot!
Alison Kannon demystifies the construction and recreation of “bodies”, the stiffened supportive layer of clothing that later came to be called a corset or stays.
What makes a corset, a corset? Jenni shares her basic six rules of "good" contemporary Victorian corsetry.
Practising making corsets in preparation for selling: what exactly should you practise, and what's the most effective way to use your time and resources?
How did Edwardian women support their busts with such low cut corsets? Jen shares the details and patterns of two 1910's brassieres in her collection.
Continuing discussion on the home sewer's approach to leather corsetmaking, one part professional technique, one part broke college student ingenuity.
Today many burlesque performers commission pasties (small nipple covers) to match their costumes, so the ability to make them is a valuable commodity for a corsetmaker.