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Izabela takes the late Victorian Higby corset pattern from her last article and creates a striking, modern Steampunk version using buckskin leather.
In part one of her series, Kat discusses a Victorian patent, designed to create graceful Grecian curves, the pattern and how it was made.
Emily tackles this corset patent which attempts to avoid gores at the breast whilst still achieving 'a perfect fit upon the person'.
In part two of her series, Kat discusses the pattern text, pre-construction and construction of this beautiful corset.
Jennifer walks us through this beautiful corset-waist, a light duty corset meant to still give support but to allow greater movement and flexibility.
This corset uses machine corded fabric instead of bones to stiffen the panels into an impressively curvaceous shape. It also has a sturdy spoon shaped busk. Here's how to make it.
A study of three padded bustles in the Kentucky Historical Society Collection, showing how thrifty women stayed fashionable on a budget.
We look in detail at a rare antique shop find - a real, plus size Victorian corset - and then we give you the pattern.
Trying to date a particular corset, track changes in lingerie fashion down to a few years, or just looking for new inspiration? Plenty here to keep you busy...
Hannah gets us started with this beautiful late 19th century corset and tests the patent's claim to provide ‘best possible shape with greatest comfort’.
Hannah uses information gained from her first article about this late C19th pattern to construct and finish a beautiful corset using silk organza, coutil and steel.
Luthien recreates this 1882 overbust, hourglass corset, designed to 'conform to the shape of the person more perfectly' than earlier Victorian corsets.
Marion shares with us a knitted silk undervest with a crocheted yoke that could date anywhere from 1880 to 1910.
Luthien walks us through the construction, decoration and finishing of this beautiful overbust corset, including changes to the original Victorian pattern.
Marion walks you through all the different layer options of the nautural form era, starting from the skin out, with variations in necklines and politics.
The 1885 ad raised questions. What is a diagonal cut for? Function, decoration, or gimmick? Katarina has a go at making one to find out.
When I first looked at the patent for this 1882 Strauss corset I was incredibly intimidated. It has 26 pieces, 13 each side, and only six are just fabric...
Andrea makes a second mockup in her size, and shows how spiral boning and plastic boning behave in this complex corset design.
Andrea makes a final bridal-styled version of the 1882 Strauss patent corset, perfecting the technique and adding gorgeous lace and amazing flossing!
Sandra explores a high-panel C19th corset with multiple vertical seams, giving corsetmakers plenty of areas where you can make adjustments to the garment.