Jennifer guides us through drafting, fitting and decorating a vintage Edwardian-style princess slip; a useful item of underwear in any lady's trousseau!
Jennifer discusses the circular flounce chemise, which adds even more fluidity and femininity to the shape and drape of the standard early C20th chemise.
A tatty old Ebay find leads to a fascinating journey of discovery, recreating both the corset itself and its owner's story.
The first in a series of articles on bra patterning and making. Before we get out the fabric, there's a big obstacle to tackle: what size bra do you want?
Silhouette is important for vintage as well as historical clothing: make an authentic pointy bra that Jane Russell or Marilyn Monroe would have been proud of.
Today many burlesque performers commission pasties (small nipple covers) to match their costumes, so the ability to make them is a valuable commodity for a corsetmaker.
As fashion changed in the early C20th, so did underwear. Kelly guides us through the making of a teens brassiere, or corset cover, to go under an evening gown.
Jennifer constructs a 1920's Envelope Chemise - foundation garment for those stunning 'Flapper dresses' - in a way that is fun, understandable and practical.
Taking the block pattern from her previous Envelope Chemise, Jennifer creates more fabulous 1920s-style lingerie; a Step-In Chemise and Ribbon Camisole.
Part 2 of our bra pattern drafting and making series: drafting the blocks for the cups, cradle and wings of a simple underwired “Darted Cup” Bra.
Mark shares with us the secrets of working with stretchy powernet, and shows how to make a vintage corselette of the 1950s or 60s.
Jenni constructs a simple Broche corset to help explore and understand the six rules of good corsetry.
Jenni begins her discussion of silhouette, including personal preference and inspiration.
Part 3 of our bra pattern drafting/making series. You have taken measurements and drafted a pattern - now it's time to break out the sewing kit!
Mark takes the basic corselet further by adding shaping or control panels to it. He also shows how to adapt the corselet blocks to make other foundation garments.
When corsets dipped below the bust in the early 1900s, what did women use to support the bust? How did bras develop into a must-have garment?
Leather is considered to be one of the most difficult materials to work with, but it doesn't have to be. Marta shows us a few simple ways to make it easy.
The hugely talented artist behind Sparklewren Bespoke Corsetry goes into detail about her embellishment processes.
Kelly outlines the process of recreating this low-busted early 20th century corset from the original 1913 patent and pattern through to flossing and garters.
Jenni continues on silhouette and fitting a house style on different body shapes, plus its relationship to your corsetry business and brand identity as a whole.