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Foundations Revealed

The Corsetmaker's Companion

Vintage 20th century
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Tag: Vintage 20th century Ordering

Drafting a lace overlay for an underbust corset

Drafting a lace overlay for an underbust corset

Flo guides us through the process of drafting a simple border lace overlay for the top half of an underbust corset.

1908 Transitional Corset

1908 Transitional Corset

Sabrina tackles the challenge of making a 1908 Corset, a transitional year between the S-curve era and the straight-line Teens era corsets.

Embellishing with Rhinestones and Beads

Embellishing with Rhinestones and Beads

Flo discusses the process for choosing and applying embellishments to your new lace corset.

Re-creating the 1913 E. F. Hume Corset

Re-creating the 1913 E. F. Hume Corset

Kelly outlines the process of recreating this low-busted early 20th century corset from the original 1913 patent and pattern through to flossing and garters.

The Frugal Princess: Creating a Princess Slip

The Frugal Princess: Creating a Princess Slip

Jennifer guides us through drafting, fitting and decorating a vintage Edwardian-style princess slip; a useful item of underwear in any lady's trousseau!

How To Make A Bra 1 (free article)

How To Make A Bra 1 (free article)

The first in a series of articles on bra patterning and making. Before we get out the fabric, there's a big obstacle to tackle: what size bra do you want?

How to Make a 1950's Bullet Bra

How to Make a 1950's Bullet Bra

Silhouette is important for vintage as well as historical clothing: make an authentic pointy bra that Jane Russell or Marilyn Monroe would have been proud of.

How to Do a Photoshoot

How to Do a Photoshoot

British corsetmaker Charlotte Raine shares her experiences of obtaining photography for her business - obstacles overcome, and lessons learned.

Pattern Modification – Corded Corset

Pattern Modification – Corded Corset

Marta breaks with tradition from her usual leather corsetry to make a beautiful corded corset and discuss some pattern modifications therein.

Towards a Distinctive House Style: 1

Towards a Distinctive House Style: 1

Jenni begins her discussion of silhouette, including personal preference and inspiration.

How To Make Pasties

How To Make Pasties

Today many burlesque performers commission pasties (small nipple covers) to match their costumes, so the ability to make them is a valuable commodity for a corsetmaker.

Towards a Distinctive House Style: 2

Towards a Distinctive House Style: 2

Jenni continues on silhouette and fitting a house style on different body shapes, plus its relationship to your corsetry business and brand identity as a whole.

Creating a Strapless Brassiere

Creating a Strapless Brassiere

Kelly guides us through making a corset cover that would be suitable for wearing with eveningwear in 1913.

How To Make A Bra 2 (free article)

How To Make A Bra 2 (free article)

Part 2 of our bra pattern drafting and making series: drafting the blocks for the cups, cradle and wings of a simple underwired “Darted Cup” Bra. 

How to Make a Corselette

How to Make a Corselette

Mark shares with us the secrets of working with stretchy powernet, and shows how to make a vintage corselette of the 1950s or 60s.

A Simple Broche Corset, Part 1

A Simple Broche Corset, Part 1

Jenni constructs a simple Broche corset to help explore and understand the six rules of good corsetry.

How To Make A Bra 3

How To Make A Bra 3

Part 3 of our bra pattern drafting/making series. You have taken measurements and drafted a pattern - now it's time to break out the sewing kit!

Stretch Fabric Control Panels

Stretch Fabric Control Panels

Mark takes the basic corselet further by adding shaping or control panels to it. He also shows how to adapt the corselet blocks to make other foundation garments.

Edwardian and 1910’s Brassieres

Edwardian and 1910’s Brassieres

When corsets dipped below the bust in the early 1900s, what did women use to support the bust? How did bras develop into a must-have garment?

Leather Corset Making

Leather Corset Making

Leather is considered to be one of the most difficult materials to work with, but it doesn't have to be. Marta shows us a few simple ways to make it easy. 

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