Wendy analyzes over 80 stays from 1790-1829 for fiber, colour, weave, length, opening placement, shoulder treatment, bust shaping, boning or cording.
Izabela gives us a simple, yet historically accurate construction guide for the non-expert that offers the maximum number of fitting opportunities.
Alison Kannon demystifies the construction and recreation of “bodies”, the stiffened supportive layer of clothing that later came to be called a corset or stays.
Knowing how stays were really made allows us to imitate those techniques and produce an accurate garment. We study the genuine article in detail.
Andrea makes a final bridal-styled version of the 1882 Strauss patent corset, perfecting the technique and adding gorgeous lace and amazing flossing!
Andrea makes a second mockup in her size, and shows how spiral boning and plastic boning behave in this complex corset design.
When I first looked at the patent for this 1882 Strauss corset I was incredibly intimidated. It has 26 pieces, 13 each side, and only six are just fabric...
Constructing a diagonally seamed corset: Katarina includes some useful tips for easier corset sewing and for making strong tightlacing corsets.
The 1885 ad raised questions. What is a diagonal cut for? Function, decoration, or gimmick? Katarina has a go at making one to find out.
Michelle tackles C.L. Olmstead's 1912-13 corset patent and learns a lot about good corset making, especially about fabric selection...
Jennifer shows you how to alter the pattern from last month, then sew the corset step by step, using the same vintage techniques as in the original.
Ever admired hand tooled leather corsetry? Here's how to select, purchase, and plan corsets with it, for those who are more used to fabric.
Melanie schools us in the joys of latex clothing, including proper latex care, how to wear latex, and the basic equipment for working with it.
Tips and advice for working with bobbinet, a sheer, strong, tulle-like fabric that's a surprisingly delicate-looking choice for corsetry.
Information on anything other than the simplest latex corsets is sparse. Melanie takes on a more complex experiment.
Jennifer introduces us to one of the misfits of the corsetry world, the metal corset, which has mysterious roots and purposes.
Marion introduces us to tulle and the delightful watercolor effects you can achieve with different color fabric layers stacked on top of each other.
Marta discusses the merits of burlap and how to work with this unconventional material to create a beautiful and unusual corset.
Elastic ribbon corsets give you the look of a corset, but with the comfort of modern garments. Izabela explains what it takes to create one.
Marianne discusses the tools available to aid corsetieres - outlining the options available for you to choose from in each area of the corsetmaking process.