Leather is considered to be one of the most difficult materials to work with, but it doesn't have to be. Marta shows us a few simple ways to make it easy.
Many corsetieres would have you believe that a "real" corset is only made from coutil. However, other fabrics can be used, if they pass a series of tests.
Mark takes the basic corselet further by adding shaping or control panels to it. He also shows how to adapt the corselet blocks to make : a Girdle, Merry Widow, Basque, Long Line Bra and a Suspender / Garter Belt.
When I first looked at the patent for this 1882 Strauss corset I was incredibly intimidated. It has 26 pieces, 13 each side, and only six are just fabric...
Three awesome questions & solutions: fitting 1770's stays for curvy figures, changing overbust corsets to underbusts, and corsets for apple shape figures.
Alison Kannon demystifies the construction and recreation of “bodies”, the stiffened supportive layer of clothing that later came to be called a corset or stays.
Sandra Stuart walks you through enlarging a small diagram to the correct size for the creation of a working pattern, using an 1878 original and Photoshop.