Marianne shows you how to produce flats - the clean, professional line drawings that show important construction details for each of your designs.

Michelle tackles C.L. Olmstead's 1912-13 corset patent and learns a lot about good corset making, especially about fabric selection...

Sannie explains how to tackle resizing and using historical corset patterns with very unusual pattern pieces, such as this very curvy Edwardian example.

Leather is considered to be one of the most difficult materials to work with, but it doesn't have to be. Marta shows us a few simple ways to make it easy. 

Antje tackles the first of two corset designs from Savoye's 1905 patent # 845582, featuring a special panel designed to show off some great embroidery.

Analysing the secrets of success of the finished corset from the last article, plus: how can gussets and shoulder straps be used to support a large bust?

Many corsetmakers accept long distance orders. Is it a good idea? Jenni explores the benefits and pitfalls, and offers tips and advice.

Many corsetieres would have you believe that a "real" corset is only made from coutil. However, other fabrics can be used, if they pass a series of tests.

Is it worth spending money on a professional photo shoot? What are the possibilities and pitfalls? Jenni tells us how to do it and what to look out for.

Andrea makes a final bridal-styled version of the 1882 Strauss patent corset, perfecting the technique and adding gorgeous lace and amazing flossing!

The Corset Elastique, or Elastic Stay, is an interesting oddity in the little-known world of Regency era corsets. Amanda investigates.

Communicating your brand: more on getting your message across, for corsetmakers who want to earn their own money from their work.