Joëlle of Atelier Sylphe isn't an easy corsetiere to categorize; blending historical corsets with modern styling, and mixing with a touch of whimsy.

Cathy Hay interviews Melanie Talkington, owner of Lace Embrace Atelier Inc., corsetiere to Dita von Teese and Cathie Jung, and antique corset collector.

Professional corsetmaker Charlotte Raine tells us how she got started, how her business works and about working with the Jane Austen Centre.

We talk to Kate Mior of Totally Waisted Corsets about how she juggles a business in corsetry with a career as an international street performer!

We interview corsetmaker Mauricio Bernal about making his grandmother's house into his studio, and the difficulty of getting busks in Columbia.

We talk to Mark Garbarczyk, a British foundationwear maker who's tried and rejected formal training in favour of taking his own learning journey...

The extraordinary Ksenya of Gleamnight Fashion Studio, interviewed in her native Russian and translated into English by Anton Nezamaev.

Flamboyant designer and artist Anthony Canney advises on dealing with clients successfully and on corsetmaking for gentlemen.

This month we feature Cristiane Tano, aka CrissyCatt, who makes breathtaking corsetry in leather. She reveals the secrets of her stunning, hand-tooled filigree leather corsets.

Sandra's stunning work translating teacup designs into corsetry is magnificently inspiring. She was kind enough to answer our questions and share her plans for the future.

Joanne Arnett is sewing her way through every corset pattern in Norah Waugh's book, Corsets and Crinolines. Making corsets, she says, is like building bridges on the body.

We glance briefly this month at the historic makers of Bon Ton, Royal Worcester and Adjusto models: patents, corsets and where you can learn more about the company.